Heaven on Earth

One of the first uses of mirrors in architecture was in Persepolis, Persia at the Tachara Palace. Glossy black stones were polished till their surface was reflective, expanding the palace’s size and beauty. 2,000 years later, I return to the concept of doubling space and light with Heaven on Earth, an installation project that was showcased in Italy in 2014.

The basic geometric shapes and symmetrical composition of the mirrors angling up the cement stairs are borrowed from Islamic art, where symmetry is considered the highest form of beauty. For me, the use of mirrors is integral to creating a paradise; mirrors give light, an important mystical concept in Persian culture.
Standing in front of the staircase, the audience is facing a transformative view of themselves, and their notion of how the world is structured. When the audience stands at the top of the stairs and looks down, they come face to face with an optical illusion that increases their light, and therefore their spirituality of the space. The very physics of nature are turned on their head- the sky is now the ground- and the light of the sun is magnified around the viewer. The blue sky spills onto the ground, mimicking a pool, and the audience is momentarily overcome with the desire to jump into the light.

EventFabrica (Research Center of United Colors of Benetton)MediumInstallation YearJun 2014/ Treviso, Italy


CASA VOGUE  O cenário espelhado da artista iraniana by Luisa Cella

COLOSSAL Mirror Installations by Shirin Abedinirad Reflect the Sky in Stairs and Desert Dunes by Christopher Jobson

MY MODERN MET Iranian Artist’s Mirror Installations Symbolize the Relationship Between Humans and Nature by Anna Gragert

Vanilla Magazine A Treviso la Scala a Specchio di Shirin Abedinirad riflette il Cielo come uno Specchio d’Aqua by Annalisa Lo Monaco

MNN Stroll across the sky in these dreamy mirror installations by Catie Leary

Privacy Preference Center